A Fool Knows Best Essay

A Fool Knows Best Essay A Fool Knows Best Essay Nicholas Lipinski Mr. Lauchlan World Literature 28 October 2012 A Fool Knows Best It appears to be far-fetched that an undertaker, with no training or feeling of information, would affect a shrewd ruler. It likewise appears to be profoundly improbable that a half-burrowed grave containing skulls, bones, and spoiling rot would give William Shakespeare an ideal chance to utilize satire in Hamlet. Be that as it may, Shakespeare has grabbed hold of this chance to give a conversation brimming with joke, astounding word-play, and smart funniness. Utilizing these topical components, he powers Hamlet to address â€Å"his powerlessness to perceive how a significant method of knowing limits the two his affection and his philosophy† (Hunt 141). As such, Hamlet becomes mindful that man is genuinely the very â€Å"quintessence of dust† (Shakespeare 103) and regardless of if the man be an incredible lord or straightforward worker, all arrival to nothing. The comedic estimation of the undertaker gets clear before he and Prince Hamlet even talk. He sings while delving and Shakespeare’s crowd is in a similar condition of shock as Hamlet. â€Å"Has this individual no sentiment of his business?† (Shakespeare 243). The digger appears to have no feeling of his work yet at the same time in the long run picks up the regard from Hamlet with his prepared tongue and mind. In a funny exchange between the two, they examine what precisely lies in the grave: HAMLET: What man dost thou burrow it for? Undertaker: For no man, sir. HAMLET: What lady at that point? Undertaker: For none not one or the other. HAMLET: Who is to be covered in't? Undertaker: One that was a lady sir, however, rest her spirit, she's dead. (Shakespeare 247) The undertaker, in contrast to Hamlet, doesn't see the skulls and bones of the dead similar people who they once had a place as well. Ophelia is not, at this point a lady; in reality she is dead. The undertaker has something Hamlet doesn't; â€Å"his perspective on experience is genuinely correct. He can separate delights and darling people in their own occasions, not demanding that a past encounter be unnaturally superimposed upon the present† (Hunt 143). Hamlet wishes passing was non-existent and he thinks that its discouraging though the undertaker can recognize it with humor. Hamlet can't acknowledge the characteristic procedure until he really grasps a skull and looks at â€Å"what a bit of work [that] is a man† (Shakespeare 101). Hamlet takes the skull of Yorick and looks at it, and at this defining moment, starts to contradict the play's underlying reason of human defect. He can't yet sing while grave-production like the undertaker, yet now the â€Å"custom hath made it in him a property of easiness† (Shakespeare 243). Hamlet’s conviction that man is nothing goes to something genuine. â€Å"He can follow the residue of a world-winner until he discovers it halting a bung-opening and without considering a scribble too curiously† (Reno 110). The way that Yorick, somebody who assumed an unmistakable job in youthful Hamlet’s life, is presently a heap of rot in the earth profoundly affects Hamlet. He could be taking a gander at two skulls, one Alexander’s, the world-champion, and the different Yorick’s, and he would not have the option to differentiate. All arrival to nothing. This idea of nothing is extremely evident in Ernest Hemingway’s â€Å"A Clean, Well-Lighted Place.† This short story examines the certainty of death and how there are consistently two differentiating sees present. One view on life is rushed and fretful; not comprehension of others. The subsequent view is the inverse. It is patient and insightful; realizing that passing is close. The senior server is a professional of the second perspective as he reproves the more youthful server for his surge. â€Å"What is an hour?† asks the more seasoned server (Hemingway 98). To the senior server, time isn't significant. Time is nothing. Demise is the main thing to be sure of. This takes the conversation back to the burial ground where the digger utilizes time as his partner. Hamlet asks, â€Å"How long is it since [you turned into a